Wonderful photographs by Clive Arrowsmith
www.cirqueducabaret.com www.clivearrowsmith.com www.immodestyblaize.com
Read article on Times website : http://www.irishtimes.com/life-and-style/people/a-decade-of-decadence-1.1438237
Sara Colohan writes www.londoncalling.com
David Armand: Silent Not Deadly…
27 March 2013 | Sara Colohan | InterviewsLondon Life
David Armand isn’t exactly a house hold name, but show people a clip of his seriously funny mimes to contemporary songs and they instantly recognise him, and more often than not, instantly love him. Along with appearing in some of our favourite TV shows, April will see him perform at the Leicester Square Theatre as one of the headline acts for international cabaret show Cirque du Cabaret. London Calling’s Sara Colohan asked him a few questions about his interesting career path!
LC: I have a feeling you’d prefer this to be a silent interview – ok if we ask you a few questions?
DA: That's fine, but my voice will have to be spoken by an actor. I'll see if Alan Rickman is available.
LC: Most people know you from the telly Fast and Loose, How Not To Live Your Life and Peep Show – but you are also a cabaret performer and a rather ‘serious’ actor. Would we have seen you in anything recently?
DA: Despite my best efforts, I wouldn't say I was particularly serious, sadly. The most serious thing I've done recently was a play (Absent Friends) in the West End last year. I've been doing a lot of cabaret shows recently and have just starred in a pilot for BBC Three which should be out soon. I'm also a writer, and have been penning bits and bobs for a variety of TV shows.
LC: How did you form your style of mime act, was it an accident air guitaring at home late one night or much more measured?
DA: It couldn't be less measured. It's how I dance when I'm drunk. Always has been. I used to be part of a sketch group (The Hollow Men), and the other three members convinced me to put it in our Edinburgh show one year. I had my doubts that it would work - who wants to see a man flailing about to 90s hits? But it quickly became a huge part of the show. And then it started taking on a life of its own. I think it appeals because there are a lot of other people whose inebriated style of dancing is very similar.
LC: Is there a genre name within mime for what you do – like ‘literal choreography’ or are you unique in the mime world?
DA: I never really described it as mime, I always called it "interpretative dance" instead - which was meant as a joke but sadly wasn't particularly funny. Lots of people have done something similar - Lee Evans for example - but I think I'm unique in taking it so ridiculously seriously.
LC: You performed Torn with Natalie Inbruglia singing live - how did performing at The Secret Policeman’s ball come about? Probably not Natalie’s idea – did she need some convincing?
DA: I got a phone call asking me to perform at the ball, on one condition - that she sing it live alongside me. I thought they were kidding. I had always been terrified that she hated the whole thing and that when I met her she would sue me or punch me in the face or something, but it turned out that she was a big fan. She was incredibly lovely and I turned into a dribbling, squeaking 11 year old around her. It was her idea to join in the mime on the last chorus, and I ended up having to go to her hotel room the night before to teach her how to mime to her own song. It was the most surreal experience of my life. Even now I'm not sure if it only took place in my imagination.
LC: What events have you coming up in London?
DA: A load of stuff! Its all updated on my Facebook page. I’ll be headlining Cirque du Cabaret’s show over at the Leicester Square Theatre on April 20th – performing with some sword swallowers and burlesque ladies. That should be fun!
David Armand appears along with Banbury Cross, sword swallower Jewels and with live music from Elle and the Pocket Belles on April 20th - Leicester Square Theatre. For more information and to book tickets please click here.
David Johnson, John Mackay & Soho Theatre present The Rubber Bandits
"The Daily Mail’s nightmare of a feral underclass" ★★★★ Guardian
"Just the right side of disturbing". ★★★★ Mail on Sunday
"Subversive genius" ★★★★ Scotsman
Tue 15 Jan – Sat 2 Feb (no shows Sun/ Mon), 9.30pm
15 – 16 Jan £10, 17 Jan - 2 Feb Tues – Thurs £15 (£12.50), Fri – Sat £17.50 (£15)
It hasn’t exactly been an overnight success for The Rubber Bandits, arguably the most potent and relevant Irish comedy duo since, um… Zig and Zag.
That reference really does them a disservice so maybe we can quote a review of their 2012 sell out
‘They're a Limerick version of Wales's Goldie Lookin' Chain, a pair of whippet-thin lads offering a pop culture and Irish history mashup, seen through eyes blurred by overconsumption of crack and MDMA.’
Brian Logan The Guardian
They’re lewd, crude 'n rude but truly essential comedy for anyone with a penchant for the unique and risqué. By no means is being Irish (the boys are from Limerick - a city in Ireland known by locals as Stab City, due to the high crime rate) a prerequisite to enjoy or understand the political references, comedic timing and clever parodies, however it does make it all the more deliciously irreverent, especially when you hear a song titled ‘Double dropping yokes (ecstasy) with Eamon De Valera’ .
Listen to their songs Bag of Glue (http://youtu.be/EYO2GffqnmI), Blackman (http://youtu.be/RaaZsBxWeiQ ) or Up the RA (http://youtu.be/iBT4ZWy6Lm4) and if you find them offensive, racist or pro IRA then you’re missing the huge dollop of subtext and irony laced in every song. This is current day burlesque, where these talented performers parody their local social discords and leave the audience singing along to their hilarious, ridiculous and often provocative songs.
Expect an audience split of Londoners who love to hear a strong Irish accent in song (or rap) and cool Irish who appreciate this niche satirical viewpoint from these oxymoronic sophisticated ruffians.
This is the very best of Irish humor for 2000's - raw, real and raucous.
As their Twitter handle states:
" like the tortured breath of Bob Marley that bullies its way through the air and extinguishes the candles on Brendan Behan’s birthday cake"
'Chalk it down' as unmissable.
21 Dean Street, W1D 3NE
15 January - 2 February (no performances on Sunday/Monday)
Tues 15th & Wed 16th Jan: All tickets £10. Tue- Thurs £15 (£12.50), Fri - Sat £17.50 (£15)
Booking 020 7478 0100 www.sohotheatre.com
www.rubberbandits.com TWITTER: @rubberbandits