Sara Colohan interviewed by Electro Swing Blog

Burlesque Swing Interview : Sara Colohan, The Tassel Club

As part of the launch of the new Bart&Baker CD BURLESQUE SWING to be released June 16th 2011, we’ll publish every day until the release a quick interview on personnalities from the Burlesque World discussing their music taste and their view on the relationship between the two arts. Today, Sara Colohan, Irish beauty and most of all Burlesque events organizer in London and abroad !

1/ Can you quickly introduce yourself ?
My name is Sara Colohan, producer and host of The Tassel Club – London’s longest running cabaret show
2/ What makes Burlesque & Swing  such a winning team ?
Burlesque evolves and reinvents itself every time it enjoys a revival and swing music always pushes boundaries too
3/ How do you normally choose tracks for your shows ?
I help all our singers and some of our dance acts to choose their music. We borrow from all eras like from my favourite film Cabaret, Charleston music sourced from the 20’s and occasionally something modern works too – like an electro swing remix of something vintage.
4/ Any favorite songs / artists you’de like to share with us ?
I think the most beautiful piece for a fan dance is Henry Mancini’s Lujon – otherwise know as the dream sequence from The Big Lebowski – I still have to match it with a performer.

5/ Finding you on Internet ?


Sara Colohan interviews Miss Behave for London Calling article

The Times hailed her as “a fabulous courtesan of comedy”.  The Guardian mused how she effortlessly journeys from “the ridiculous to downright sexy” as mistress of ceremonies in London’s best loved cabaret La Soiree (formally known as the Olivier-winning La Clique). She’s seen as a true iconic image of modern day circus and a legend among her peers in the industry. Over the din of a bustling East London café I relay just some of these lofty accolades to  Miss Behave (AKA Amy Saunders) and in her distinctive husky voice, she modestly and simply describes herself as “a live cartoon-ish figure, a bit of a drag queen with a passion for comedy and the bizarre.”

So, you’ve been asked a million times before – but we all want to know how you became a sword-swallower. It’s not an everyday occurrence that someone decides on that particular career.  

I am a mouthy bird so a friend gave me a book (Memoirs Of A Sword Swallower by Daniel P Mannix.) about a sword swallower and jokingly said it was the only way to shut me up. I have always been orally fixated, so I saw it as a challenge. So, it sounds ridiculous, but I taught myself with a 2ft-long sword, a mixture of tenacity, luck, trial and error. It was not easy…or pleasant…3 years of hard work and I became a sword swallower!

So, it’s not as easy as you make it look! How long did it take from learning the basics to actually getting on stage and making an entire room erupt on their feet in sheer awe?

It was borne out of necessity. I was skint at the start. I began busking in bars in Soho. Over the next few years I played in everything that was on offer, and plenty that was not. This moulded me into the performer I am. Regardless of skills, adaptability is the name of the game.

When and how did the whole Guinness World Record Holder thing come about?

In 2000 Guinness approached me about setting the female world record for multiple swords. I do like a challenge, so I grabbed it. I set it at 5 and then broke that with 6, then 7...

Have you ever hurt yourself on stage – lots of people still think swords aren’t real, or not sharp etc – have you war wounds?

I once cut my stomach and lost so much blood from internal bleeding I nearly died. I learnt my lesson though…oh wait, no I didn’t!

You’ve performed around the world with La Clique and La Soiree and indeed as a host in your own production The Crack – do you pinch yourself sometimes at the interesting path sword swallowing has led you on and what do you think would have been your back up career choice if you hadn’t read that interesting book all those years ago?

Honestly, I see our industry, from front of house, to barstaff, to stage performer, as hospitality. All I have ever done is service people. We are all prostitutes, and I see that as a good thing. I facilitate peoples good times. It is all I know how to do. And whether Im doing hand jobs out the back, pulling pints at the bar or swallowing a sword onstage, I love it.

Professor Vanessa Toulmin sounds like a very interesting character. The head of Cultural Engagement University of Sheffield, a successful author, she has compiled the largest collection of paraphernalia relating to the history of circus and fairground entertainment in the UK. You are working with her bringing the history of the fairground to the masses as part of The Round House CircusFest in April. Who found who and tell us a bit about the show.

I was hired to host a variety night at the Grand in Blackpool the first year of Showzam. We bonded over a love of illegitimate entertainment and have been together ever since. The Wondershow is a culmination of our work there. It’s a collaboration of all of us who have turned that festival into the wonder and delight it is today. Professor Vanessa, Jon Marshall's Sideshows, The Insect Circus, Marawa the Amazing and myself. Very exciting.

Thanks for taking the time to chat and glad to hear you enjoy hosting so much– not least because you are hosting the next Tassel Club Cirque du Cabaret show on April 21st in Hoxton Hall, the Saturday before your run in Round House. That will be a busy week for you!

Just how I like it

I heard you warm up using plenty of tequila shots!

And the rest!

The Tassel Club Cirque du Cabaret April 21st Hoxton Hall

Wondershow runs from April 23rd – April 27 Roundhouse
Author: Sara Colohan


London Calling article on Burlesque in London, written by Sara Colohan

London, and indeed most of the UK is much like a tightly laced corset, crammed and over flowing with wonderful burlesque treats and delights for all to enjoy! In line with the world’s leading burlesque beauties, these events and shows are enjoying every minute in the spotlight and welcome all burlesque lovers with open arms and a cheeky grin!

The UK has the west coast of the US to thank for this current revival, specifically a club called Velvet Hammer where burlesque was introduced circa 2000 for the first time since the 1960’s. The neo burlesque thrill swiftly travelled to London, and by 2002 it became part of the already burgeoning retro sub culture.

Today, burlesque has become a word we use in our every day language to describe fashion styles, music and even films but what is burlesque in it’s essence? After all my years immersed in this burlesque world, my simple answer is ‘saucy cabaret’! Innuendo, the flash of flesh, parody and classic erotic dancing all encompass the fun and frivolous world of burlesque and like all new trends born of the past, burlesque is always evolving and mutating into new and exciting forms of entertainment.

I became involved in the world of burlesque back in the early days of 2003 while still working as a fashion journalist. The Whoopee Club burst onto the London club scene and was key to forming the revival we enjoy today. Held in a series of different venues including The Cobden Club, Kensel Rise and The Atlantic Bar in Piccadilly, The Whoopee Club introduced burlesque entertainment to a mix of elite trend setters and helped launch global stars like Immodesty Blaize, Paloma Faith, Bishi, Shinghai of the Noisettes and Alternative Miss World winner and star of the feature film ‘The British Guide to Showing Off’, Fancy Chance.

I was lucky enough to visit some of these pioneering shows and as a young fashion reporter, the glitz and glamour of the emerging burlesque world immediately eclipsed my reality, to such an extent that I began producing my own cabaret show called The Tassel Club, which is still running in London today.

From 2002 The Whoopee Club and Flash Monkey were the main thriving burlesque club nights in London, with occasional events from Stranger Than Paradise and various events run in Soho’s infamous Madame Jo Jo’s. In 2006 a glorious new concept for London’s club scene began when a vintage inspired supper club called The Pigalle Club opened its doors. Owned by Vince Power of Mean Fiddler fame, this was the first vintage inspired club to be styled specifically for luxury burlesque cabaret. The Tassel Club hosted the launch night and chose the still relatively unknown burlesque star Miss Immodesty Blaize as the grand finale. The rest, as they say, is history!

By this time, burlesque was no means exclusive to London, In the same year, in Birmingham, a young Irish singer named Imelda May began performing alongside the world famous Palookaville Burlesque Orchestra in The Candy Box Burlesque Club. Club Noir began in Scotland and many more clubs began to appear throughout the country that year, including the birth of Wam Bam in Café de Paris.

Today the UK is producing many world class stars, all following in the gloriously glamorous footsteps of the UK’s inarguable premier burlesque star Immodesty Blaize. Current classic burlesque stars dominating Europe’s clubs are Marilyn Monroe look alike Miss Banbury Cross, Rita Hayworth style pin up Miss Sophia St Villier and Brighton’s own Miss Cherry Shakewell who’s authentic burlesque curves secured her a place in the recent Guy Richie Sherlock Holmes movie. Singer and burlesque star Miss Polly Rae from The Hurly Burly Show has also been plunged into the spotlight and starred in her own West End show produced by Kylie Minogue’s manager William Baker. Alternative Miss World winner Fancy Chance is the undisputed queen of alternative burlesque, recreating her epic vintage circus inspired 'Hair Suspension Striptease' performance piece to amazed audiences around the world.

Of course, watching burlesque is all very well but lots of us are keen to release our inner burlesque diva and give it a go ourselves! Burlesque Baby.com is one of the UK s first burlesque academy set up to teach the art of striptease to hundreds of women (and a modest amount of men!) throughout the country. Learning to strut your stuff in a burlesque class is not for everyone though, so maybe you fancy developing your saucy sketching skills at Dr Sketchy’s Anti Art School. They host fun evenings in various venues through the country.

Lingerie shops like Agent Provocateur, Coco de Mer, What Katie Did, Playful Promises and Kiss me Deadly all dedicate entire collections to the burlesque pinup style allowing performers and fans alike to create and develop their own style of boudoir burlesque. British fashion phenomenon Vivien Of Holloway has become one of the biggest producers of reproduction vintage dresses in the world always featuring UK burlesque stars in their modelling campaigns.

So many burlesque inspired beauty parlours like The Powder Rooms and Benefit Cosmetics, Pimps and Pinups and Its Something Hell’s offer the perfect burlesque pin up styles. Add into the mix the many style guides, (Style me Vintage and Corsets by Velda Lauder) films and books published (including some big selling bonk busters from the queen of burlesque herself Immodesty Blaize) and its fair to say the British burlesque effect is going global!

Ways to get your burlesque style on! Buy a bespoke corset from Velda Lauder, Fairy Goth Mother/Lola and Lush or the House of Harlot

Burlesque Afternoon tea - Weekend Afternoon tea(se) in Volupte Lounge, Afternoon Tease Saturdays in Cellar Door, Covent Garden

Current burlesque cabaret shows in London include Bete Noir, Thursdays in Madame Jo Jos, The Tassel Club, currently held in Hoxton Hall, La Reve and Wam Bam Club weekly in Café de Paris. The Hurly Burly Show (on Tour) and The Dolly Mixtures at Madame Jo Jo’.